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Tuesday, March 20, 2018

digital black and white photography

slyth_vs_huff_L2018728
slytherin vs hufflepuff

For the second time in a day, I’ve been asked about color versions of my black and white photographs.

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Santa Cruz Boardwalk Bomshells vs San Francisco ShEvil Dead 

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hufflepuff vs slytherin signing in.

I’m going to tell you a little story-slash-mansplain you something about black and white photography.

Salem capitol building at night
Salem capitol building at night

In my senior year in college, I took some fun courses. A couple of painting courses and a black and white photography course.  It wasn’t like the physics and math courses I was taking weren’t fun. They were fun, but in a different way.

umbrella
umbrella

Back in those days, Kodak offered a black and white film called T-MAX, a very fine grained black and white film.  I wasn’t so crazy about T-MAX.  I preferred Kodak’s Tri-X, precisely because it offered a fatter grain that covered up the smaller dust spots on the film.  And I hated dust spots.

hydrant
hydrant

I STILL HATE DUST SPOTS.

So, this is how it worked.  You loaded the camera with the black and white film. You shot the roll of black and white film.  You put the roll of film in a little metal light proof canister and then filled the canister with a series of chemical solutions which would “develop” the film.  You dry the film negatives, hoping and praying that water spots or dust wouldn’t form on the film as it was drying.

Portland Mounted Patrol

Now, to make a print, you take your film negative and put it in an enlarger, which illuminated black and white photographic paper. You take the exposed paper and run it through the same series of chemical solutions to produce a black and white print.  You dry the print, and hope and pray that it doesn’t gather too much dust or curl too much.

Wow, that’s a great photograph, Mark, can I have the color version?

The color version of a photograph made with black and white film does not exist.

In the olden days (like 1915 before color film existed or before color film was widely available) to make a color photograph meant that you took a black and white print and applied watercolor paint to it. Or pastel chalk to it. Or colored pencils to it to make a color photograph illustration.

Today, there are a handful of companies that sell black and white digital cameras.  These cameras do not have any hardware or software that “see” colors.  (Look up Bayer filter on Wikipedia for a tutorial on how most digital cameras “see” color).  The only colors digital black and white cameras see are Black.  And White. And all the Grays in between. 

SHE IS DANYMITE!
SHE IS DANYMITE!

I do not own an IQ3 100 megapixel Achromatic sold by Phase One.  I just own a Leica.

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Santa Cruz Derby Groms vs California Mayhem

Most of the black and white photos I’ve published on flickr in the past 5 years or so have been taken with a black and white digital camera.  The color versions of those photos do not exist. 

ShEvil_vs_Oakland_L2013809
San Francisco ShEvil Dead vs Oakland Outlaws

To make a color photograph out of a digital black and white photograph would require you to put it in Photoshop (or some equivalent software) and paint colors on top of the black and white photograph.  

ShEvil_vs_Oakland_L2013630
San Francisco ShEvil Dead vs Oakland Outlaws

There are people that have the skills to turn black and white photos into color photos. I don’t know if I know any of them (ask Ted Turner for  references, I’m sure he knows people).  I do not possess the skills to turn a black and white photo into a color photograph. And I do not possess the motivation to learn how to turn a black and white photo into a color photograph.


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Santa Cruz Holiday Parade 2017

Friday, December 22, 2017

Highlights from the Hogwarts Derby Cup for Witches 2017

some photo highlights


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cross overs with iron maiden

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all the photos may be found on flickr:
https://www.flickr.com/photos/nocklebeast/collections/72157662780661588/

and prints at zenfolio:
http://nocklebeast.zenfolio.com/f1045980916 

Thursday, December 21, 2017

highlights of 2017 Hogwarts Jr. Derby Cup

The Santa Cruz Derby Groms hosted the 2017 Hogwarts Jr. Derby Cup.  Some photo highlights.

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raven_vs_gryff_L3614096

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all the photos can be found on flickr here:
https://www.flickr.com/photos/nocklebeast/collections/72157662611167358/

and prints on zenfolio are found here:
http://nocklebeast.zenfolio.com/f1045980916



Monterey Bay Derby Dames vs Derby Republic 20171007

Monterey Bay Derby Dames vs Derby Republic
7 October 2017.  Water City Roller Sports. Marina, CA.

some photo highlights:

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mbdd_vs_republic_L2017851

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all of the photos can be found on flickr here:

https://www.flickr.com/photos/nocklebeast/sets/72157689320604826


Sunday, December 10, 2017

lil killa and mini mayhem: compelling frame: lesson 1 frame 7



scdgroms_vs_angelcity_L1065567 1

21 February 2016. Angel City vs Santa Cruz Derby Groms.  Craneway Pavilion, Richmond, CA.

 One last derby photo (a feature photo this time).

  1. It's just a little quiet moment before the bout. Lil Killa is using a tool to adjust her skate.  Mini Mayhem is using a massage tool on her leg.
  2. Horizontal. 3x2.  I purposesly framed Lil Killa to the far right of the frame and to get Mini Mayhem in the frame too. I think it took 3 tries to get the framing the way I liked it.
  3. The diagonal of the track and chairs guide the eye between the two principal subjects.
  4. This is at the Craneway Pavilion.  It's mostly indirect natural morning light coming in from the far left of the photo and it is gorgeous.  
  5. I'm about15-20 feet away. I'm standing (above the sitting skaters) but I may be crouched down a bit.
  6. It's a moment of focus on small tasks before the bout. 
  7. There are two skaters with similar tasks that are a repeated element.
  8. I suppose some of the water bottles "clutter" the photo.
  9. Ah, the old balance question.  I think so, yes.


Friday, December 1, 2017

angel city vs emerald city junior jammers at the Big O 2017: compelling frame: lesson 1: frame 6.

Back to derby.

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7 May 2017. Lane Community Event Center. Eugene, OR.  Emerald City (black) vs Angel City (white) juniors.

f3.4. 1/180th.  ISO 800. Leica M-240 with a 60mm Konica Minolta Hexanon-- cropped-- shot from center track, turn 1-2 with a little on-camera flash and off-camera flash to the left.

The questions:

  1. As with most derby-action phtoos, the intent is to show some sort of sportsy intense roller derby action moment-- this jammer shot has two jammers -- one chasing -- being chased by the other.
  2. I always find it easier to shoot horizontal and while gently cropped -- I did keep the same 3x2 aspect ratio.  these sorts of shots-- I almost always leave a bit of room in the frame for the skaters to skate into.
  3. lines & shapes:  There's the line of the track boundary -- the line of the sport court and the repeated shape of the 2 jammers-- the dominant "line" is the line if you could connect the head of the white jammer to the tail of the black jammer-- that's what commands the eye's attention.
  4. the light-- is a mix of ambient and the strobe-- the background is blurred by the two light sources as well as the faster hands and feet of the near skater.  The off-camera flash to the left make the leading face/shoulders/face mask glow-- which is really quite nice.
  5. I'm shooting from center track standing up-- so I'm a little higher than the skaters-- I imagine it might be a stronger image if I was crouching a bit-- but it's hard to do that shooting center track-- I have to keep 1/2 an eye on the inside referees after all.
  6. The moment is two jammers chasing. I wonder if the moment was a bit latter-- the black jammer about 2 heads closer to the white jammer with her dark helmet framed by the other jammer's white jersey-- would that image be stronger-- a bit more dramatic if the two jammers were closer together?  yes-- but it's sports photography-- you get the moment that you get-- the moment that is presented to you.
  7.  I do like the repeated elements of the two jammers in very similar poses- one black-- one white.
  8. The background elements are not so important to the image.  I think the image would work better if the background was of an out-of-focus audience instead of vendor tables.
  9. It's a color photograph-- it's red and black and white.  Nothing too clashy -- or noteworthy-- but the red stars work nicely-- the common element of the two jammers.
  10. I think the image is balanced.
also the printed glossy version does look nice.